I limit you to reality,
force you down with truth.
My direct and cold honesty
can’t be warped from view.
Look at me in puddles,
pot surfaces or mirrors,
I am still relentless,
I am still here.
Fiction and poetry writing, recapturing the muse.
I limit you to reality,
force you down with truth.
My direct and cold honesty
can’t be warped from view.
Look at me in puddles,
pot surfaces or mirrors,
I am still relentless,
I am still here.
An urgency that’s not mine plagues my mind.
Within my own skin his emotions flow.
My story you’ll tell, yours is left behind.
In the darkness I stumble, try to find
a pen and paper, a world I must show.
An urgency that’s not mine plagues my mind.
His journey affects me, with each new bind
he creates, an escape route I must sew.
My story you’ll tell, yours is left behind.
He grows, becomes strong while I stay behind
him, bent close towards the ground, remain low.
An urgency that’s not mine plagues my mind.
If I had control one day would I find
my own personality I could show?
My story you’ll tell, yours is left behind.
My creation, the story of my mind,
Do you see me as an ally or foe?
An urgency that’s not mine plagues my mind.
My story you’ll tell, yours is left behind.
I wish I could be a fly on the wall
and watch you, now you’re away from home.
A black smudge on flat paint, you’re not alone.
I will not be shooed out into the hall
with a weak promise that you’ll call.
My presence shown by the vibrating tone
of wings as I move through this space unknown
to me. I fly out of your reach, waiting on the wall.
I can crawl in the corner of your eye
and impress my image so it won’t leave.
You can’t pack your things, walk away, assume
that I will let you go. Don’t say goodbye.
I followed you, I will make you believe
and see that I am the fly in your room.
Feathers of fire claim my body
and shrivel into black ash
that longs to
catch on the wind.
A cry from my scorched
throat, never answered.
The scent of spring around me;
I smell only burnt flesh,
melting skin.
Evaporated tears can’t
heal me, it will only
take the pain
of others until my
life ends again.
Rebirth.
Bones knit together,
flesh emerges and
covers.
Colour has not
returned, that will
come back in time.
I am plucked and
soiled with soot.
Newly formed limbs
tremble and shuffle
in the centre of ashes.
It’s too heavy to push
aside, choking
away my breath
but unable to kill me.
Rise from the ashes they say.
I’m not Rapunzel but my hair
is down to my ankles.
I’m in a tower but not high up.
There is no daylight to peer through,
no landscape to dream over.
An unhappy ending cannot
be shown to others.
I stare up at the walls,
a blood stained trail
leading to my hands.
Broken fingernails.
Broken spirit.
Bodies are tossed in this
forgotten place, a corpse
pit for dreams that never
came true. They are left
to rot with me.
We’re below, left to
fade away. Forgotten
in the world of
fairy tales.
I’m waiting to be rescued,
just like in the stories.
I’m waiting here for you,
but my mind has already
gone.
My fingertips grow numb as warmth leaves my
body. My eyes acknowledge hateful stares
until a hovering vulture swoops, pries
them from the sockets. Each retina tears
under its merciless beak. Lies formed from
my tongue turn to insects, feasting, picking
away the fragile skin. My ears felt wrong
to hear laughter. Only the ticking
time of my cursed presence should be heard. So
I cut them off, letting blood flow and mess
up the earth’s floor. I am buried just low
enough to smell damp mud and rotting flesh.
The dead don’t feel, but I’m rotting alive.
For my sin, forgiveness can’t be revived.
The scent of salt, always
in the air, makes me gag.
The seagulls’ screeches pierce through
my skull and the painkillers won’t stop it.
The one painting on the cream wall is
permanently tilted, the once proud
ship now sinking, but never
submerged. Never resting.
The strong smell of coffee mixes
with salt and clings to my clothes,
refusing to leave me.
He’s been dead two years, but
his red and white checkered apron
is still behind the counter, always
catching my eyes and drawing me in.
How I long to leave this place,
his café left to me, where only
the seagulls are free to
fly away.
I am the walls that hold you,
a concrete presence that never
leaves. If you touch me I am
cold stone, smooth and unforgiving.
I will listen when others ignore.
You arrive, cold like me, fists clenched
and trembling, longing to rip off your
orange uniform.
I watch over you.
Rage, at times, consumes you,
your feet and fists pound
into me. The scent of sweat,
your heavy panting, is my
compensation for the
dent you cause.
They catch your eye,
these names carved into me.
Your fingers run over them and
pull back when fine dust coats your tips.
The experiences they could
have shared, the life stories
they could have told, were
given to me.
Your name is another scar.
Long after you’re gone I still carry it.
I had only ever required one permit for myself, ten years ago on my father. My mother had died of cancer four years earlier, a painful process that made her wither slowly before my eyes. My father’s love for her had faded long before that, preferring short-term lust with young women. He had been in the pub woeing a future conquest as I sat in the hospice, watching my mother breathe for the last time.
I wanted to run but I dreamed of justice instead. I went home and waited, informing the stumbling, drunk, waste of space his wife had died when he finally decided to return at six a.m. He paused a moment, then grunted and disappeared upstairs.
Before my mother has been diagnosed I’d completed a beginner’s course at the local archery club. I was eighteen when she died, two weeks before starting my accounting course at the university. I joined their archery club immediately, starting an early part-time job setting up a bakery before my morning classes. For three years I worked, studied, practiced and saved my money.
My graduation was a wonderful day spent celebrating with friends and starting a relationship. A beautiful woman named Claire, who had been experimenting between men and women for the last year, had been dancing around me for six months. My sexuality had never been a secret, but I wasn’t interested in people still exploring their preferences. Claire, however, was too much of a temptation, and a way to escape.
Our relationship only lasted three months, but I spent two of those living in a shared house with her. My father merely grunted as I left, eyes never leaving the T.V. After Claire and I parted I found a different shared home, preferring to save as much money as possible. For a year I worked, attended archery practice in the evenings and tournaments at the weekend, improving my skills until I was winning trophies.
On the fourth anniversary of my mother’s death I filed for the permit.
Target: My father, Alan Phillips
Justification: Was a terrible husband to his dying wife. Remains a terrible father, is wasting his late wife’s money and running her house into the ground.
The woman at the desk nodded, stamping the form as approved.
‘Good luck. Remember, you only have 48 hours.’
I gave her a cold smile, ‘I only need four.’
My father was still sleeping off his latest drunken indulgence when I let myself in. I had my recurve bow in its case. I took my time assembling it, glancing occasionally at his bloated face, drool on his chin, the TV’s light reflecting on his red complexion.
I didn’t bother waking him, didn’t bother with a speech. I was so close there was no way I could miss his heart. He died instantly. I felt no guilt, no satisfaction. I felt lighter, and relief.
There was a number to call on the back of the form. In fourty-five minutes two men had shown up to remove the body and the chair stained with blood. All that was left was blood on the carpet and an invoice.
The paperwork afterwards was a lot more exhausting then the murder. Eventually I was transferred the ownership of the house and its mortgage. My hard-earned savings secured a manageable billing situation, as well as enough to redecorate the entire house.
For six years I was happy. I had relationships that ended, but none bad enough to need a permit. I never wanted to kill anyone else.
Until…
‘I just didn’t think it would be that hard!’ Claire sobbed as I handed her another tissue, ‘He’s such a prick, and the stuff he’s done to me…but I just couldn’t do it. And now my permit has run out.’
Claire had run through her experimental stage and married a bitter newsagents owner five years ago. They had a beautiful daughter, Lara.
‘He doesn’t do this sort of thing to Lara, does he?’ I asked, waving at the burn mark on her arm.
Claire gave a bitter laugh, ‘Trust me, if he’d ever even hinted about doing this to her, I wouldn’t have waited to get a permit before killing him.’
‘Does he still come home after work and sit on the outside decking for a drink?’
‘Yes, he stays out of the way until dinner’s ready.’
‘And you’re still good friends with your neighbour, right? The single mum with her own business?’
‘…Yes.’ Claire said, frowning. ‘Why?’
‘I’ll kill him for you. You just need to make sure Lara is staying somewhere else, and your neighbour lets me use her upstairs window.’
So three days later, on a Friday, I took a half-day off work and took my form to the Legal Murder Office.
Target: Tom Hill
Justification: Physically abusing his wife Claire Hill, my friend.
It was quickly approved and I made my way to Claire’s neighbour’s house, walking instead of driving in case Tom recognised my car. Carrying my big bow case was awkward but years of archery had given me strong arm muscles.
Claire’s neighbour Susan was waiting with a buffet of food and the kettle ready to boil.
‘I thought we could celebrate, you know, after. I hate that bastard.’
I set up my bow upstairs and chatted for two hours with Susan as we waited. Eventually Tom opened the back door and settled into his favourite chair. The angle was a little awkward, I had to shoot him in the back three times through his chair before he stopped moving. I waited five minutes, looking for any twitches, before calling the number on the back of the form.
Susan watched with me as the men took the body away.
‘You’re pretty good at this,’ She remarked, matter of fact. ‘I don’t suppose you’d be interested in killing my old business partner? She conned me out of a lot of money.’
I watched as Claire stared at where her husband had died, crying. Were they tears of relief or grief? I wasn’t sure.
‘Why not? This is started to feel fun.’
She lives in the forest for a reason,
away from accusing eyes or
fear-induced politeness.
Deer see the full moon, realise
they can’t outrun her.
Her old bones creak, shift,
grind against each other as
they move beneath her skin.
Their outline is visible in her
shoulders, poking, stretching
but never breaking through;
hidden when thick, dark fur
sprouts, hard as bristles.
The blue-flower dress rips under
pressure, impossible to sew back together.
The bonnet remains on her head.
Wrinkles on her face melt away
under hair, smooth out over her sensitive
snout. Her gums bleed as the teeth grow longer,
sharper, cutting the inside of her mouth.
Her clumsy claws grasp the teapot,
cradle it, but can’t stop it
slipping, smashing on the floor.
Her bloodlust is encouraged
by the crumpled letter in the fire:
‘A sacrifice will be sent, so please spare our village’.
A howl tears her throat.
She’s in bed when the knock
comes. A child in red.
Oh Grandma, what
sad eyes you have.